Cyborg Chimera (a poetry collection)
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Cyborg Chimera, released in October 2009, is Bryant's first poetry collection. It centers on ideas of hybridity, the subconscious, dreams, programming, reality, and illusion. It contains 42 poems, some of which have appeared in magazines, journals, and websites over the past several years.
Table of Contents:
Dreamscenes: Images from the Nightly Death
Morpheus
A Nightmare’s Whisper
FreeFall
Glassstorm
Abandoned World
Hatched
Child’s Play
In Exile
Cryogenics
Orion Out the Window
Merlin
Real Life
Bill Passed, a Fib
Fancy
Programmed: Coded Controls, Sequenced Solutions
Forty Winks
Robotics
Conviction
Under Foot
Creature
Dozer
Enacted
Watchdog 6.9.2
Unhand Me
Cyborg Chimera
Avatar
Not Programmed That Way
Herr Leibniz
Automata
Freewill: Definition, Determination, Destination
Suffrage
Sphinx-speak
Garbage In, Garbage Out
Horrorscope
Generic
Double Helix
The Sacred, the Savage
Temenos
Censor Censure Censer
Earthrise
Gone Awry
Id
Dawn
Insomniac
Cyborg Chimera, a poetry collection by Shelly Bryant
About the Poet
Shelly Bryant splits her time between Singapore and Shanghai. She teaches literature part time at a private university in Singapore, studies Chinese language part time in Shanghai, and offers poetry coaching services year-round. She is an avid reader, writer, cyclist, and traveler.
Bryant's poems have appeared in numerous print and online journals, magazines, and anthologies. You can see a full list of her publications here.
About Bryant's Poetry
Most of Bryant's poems fall into the speculative genres, including science fiction, fantasy, the surreal, mythic, and (from time to time) horror. Some of her favorite topics include the relationship between cyborgs and robots, space travel, and old mythologies made new.
There is an influence of Asia on much of Bryant's work. Besides her interest in poetic forms derived from East Asian traditions, such as haiku, tanka, haibun, and sijo, the focus in much of her work on the moment and imagery is closely aligned with traditional practices in traditional Chinese, Japanese, and Korean poetry.






